Between bits and frames.
I talk about postproduction and AI.
Why a bigger CLAUDE.md makes a worse agent for your studio
Did you ever write CLAUDE.md consciously? Knowing what you want to achieve and how you want your agents to work? If so, you write a long,…
My AI Agent for Offline Media: Claude + DaVinci Resolve
I've been finishing long enough to know that media offline is never just a technical problem. A pipeline stops, everyone waits, and someone has to manually…
I Gave Claude Direct Access to DaVinci Resolve. Here’s What Happened.
I want to tell you about an experiment that started as curiosity and ended up becoming a tool I actually use. A few weeks ago, I…
DaVinci Resolve Python Scripting: The Complete Guide to the API
Most colorists open the Scripts menu once, see a Lua example they don't understand, and close it. Then they spend the rest of the week manually…
Why Post-Production Workflows Break Before Delivery
Most post teams do not have a workflow. They have habits. The project moves. Files land roughly where they should. People know their shortcuts and workarounds.…
What Is a Color Arc and How I Use It in Documentaries?
When I begin color grading a documentary, the first thing I do is watch the film from start to finish with sound, exactly as it is…
How We Graded “Born in Burundi”?
Born in Burundi follows a small medical community serving people with limited access to fuel, blood and essential medicines.
How the Color Grading Process Works?
Color grading is more than adjusting brightness and contrast; it’s where a film’s visual identity is defined–mood, tone, and consistency across every shot.
How to Prepare Locked Picture for Color Grading
When your edit is locked, the next step is to hand off your project for color grading. A clean, consistent preparation ensures a smooth conform in…
How to Prepare for Color Grading?
When the timeline is clean, organized, and properly prepared, the color and finishing teams can dive straight into the creative work. When it’s messy – we…