Between bits and frames.
I talk about postproduction and AI.
How to Prepare for Color Grading?
When the timeline is clean, organized, and properly prepared, the color and finishing teams can dive straight into the creative work. When it’s messy – we…
Remote Color Grading and Review: How to Collaborate Online
At Wild Lion Media, remote grading isn’t a compromise – it’s a streamlined, secure, and cinematic experience designed to bring your vision to life from wherever…
Best Settings for Sony FX9
Shooting on the FX9? Don’t leave image quality to chance. This hands-on guide breaks down the exact settings every DP and colorist should use to get…
How I Built My First Python Script – Resolve
As a colorist and post-production specialist, I handle 20–30 editing projects a year – each with thousands of files across multiple shoot days. When you're dealing…
Esaro – Best Short Documentary
Magda Wolnik’s documentary, Esaro, has been awarded Best Short Documentary at the Toronto Women Film Festival! This festival is dedicated to recognizing, supporting, and amplifying women’s…
How I Make Dailies?
Creating dailies is more than just processing footage–it's about setting the foundation for a clean, efficient, and stress-free post-production process. Here’s how we handle it step-by-step…