How I Make Dailies?
Conforming

How I Make Dailies?

By Poul Waligora 22/05/2025 2 min read

This guide outlines a complete DaVinci Resolve dailies workflow – from media ingest to editorial hand-off. It covers project setup, timeline automation using Python scripts, color transforms for Canon and DJI footage, and best practices for exporting and archiving. Follow these steps to build a consistent and spec-compliant dailies pipeline ready for editorial and finishing.

1. Media Ingest & Backup

  • Create a DaVinci Resolve project named according to the PROJECT LIST, appending the suffix _DAILIES.
  • Bins inside _DAILIES project:
    • 1. DAILIES
    • 2. MEDIA
  • In DaVinci Resolve, go to the Media Page and navigate to the mounted drive CRTN_POL_OCF1 on the NAS.
  • Right-click the relevant folder and select “Add Folder and SubFolders into Media Pool (Create Bins)”.
  • This automatically mirrors the folder structure into the Media Pool under bin 2. MEDIA.

2. Resolve Project Setup

  • Use Project Settings preset: DavinciWGtoRec.709Gamma2.4 Settings
  • Always set the project frame rate to 25 fps before importing media.
  • Color Science: DaVinci YRGB
  • Timeline: DaVinci Wide Gamut Intermediate
  • Output: Rec.709 Gamma 2.4 (for editorial preview)
  • Confirm Timeline resolution: 3840×2160 / 25 fps

3. Daily Timelines (Automated)

  • create_dailies_timelines.py scans the 2. MEDIA bin and creates one timeline per shoot day based on date in filenames. It runs inside Resolve’s Python scripting environment.
  • To run the script correctly:
    • Ensure the bins 1. DAILIES DRT and 2. MEDIA exist.
  • The script performs the following:
    • Scans all clips in 2. MEDIA
    • Groups clips by shoot date and builds UHD timelines named DAILIES_YYYYMMDD
    • Sets Zoom to 0.890
    • Enables Data Burn-In using the DAILIES Metadata preset

4. Negative to Positive – Color Correction

  • Create groups in Color Page:
    • Group “R5C
    • Group “DJI
  • Color Space Transform 
    • Input Color Space: Canon Cinema Gamut / DJI D-Gamut
    • Input Gamma: Canon Log 3 / DJI D-Log
    • Output Color Space: Rec709
    • Output Gamma: 2.4

5. Dailies Export

  • In the Deliver page, use preset: “DAILIES_DNxHD1080p36_8bit_MXF”
  • Export path: media/Dailies/South Sudan_01072025/ inside the project folder on crtn_pol_production
  • File name format matches OCF for seamless conforming

6. Editorial Hand-Off

  • Dailies are stored permanently on the NAS or any other storage.
  • A copy is transferred to the editor’s SSD.
  • Editing project may be created in DaVinci Resolve or Premiere Pro, depending on the editorial pipeline.
  • Recommended project bin structure:
    • 1. PRODUCTION
      • 1. FILM_1
      • 2. FILM_2

Right-click each Dailies folder and select: “Add Folder and SubFolders into Media Pool (Create Bins)”

Stay Connected

If you found this guide useful and want to stay connected, follow me on LinkedIn or visit wildlion.media/contact.

I regularly share insights on color grading, picture finishing, and post-production workflows.
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About the author.
Poul Waligora
Poul Waligora
Colorist and finishing supervisor. Runs Wild Lion Media and builds FORGE, post-production architecture and automation. Most of what he writes comes from the finishing side of the job: color, conform, and the automations he builds to run a studio.
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